WAKE UP! live in Williamsburg at New York Jazz Festival 6/23/10

WAKE UP! LIVE in Williamsburg-New York jazz festival 6/23/10

NEW YORK JAZZ FESTIVAL

Wednesday at 8:30pm WAKE UP! will play at Zebulon as part on the New York Jazz Festival which is something we've been looking forward to for about 5 months (since we got the gig).

WAKE UP! isn't just a group that mixes rock with jazz. We are playing sounds that we have a strong connection with: rock, improv, punk, jazz, hardcore, jewish music -- however you want to label it....in the end it's all music and it's where we come from. We've arrived at this point from different worlds and now we're mixing it all up and freeing ourselves to play what we feel, what we like and who we are. It's 2010 music, baby. And on top of that Zebulon is one of the best venues in NY. Come down and party.

Zebulon, 258 Wythe Ave @ Metropolitan, Williamsburg, Brooklyn

http://www.nycjazzfestival.com/index.php?Event=52

Itunes

WAKE UP! on Itunes!!!!

www.nycjazzfestival.com

www.nycjazzfestival.com/index.php?Event=52

Hoy hace calor!!!

WAKE UP! clandestinos
Peruano clandestino
Africano clandestino
Marijuana illegal

NEW CD REVIEW

CD REVIEW FROM ALL ABOUT JAZZ

Wake Up!


By Mark Corroto

If the solicitation from the members of this band is to indeed Wake Up!, then their plea recorded here will agitate, and, yes, maybe even activate some. This quartet of saxophonist Daniel Carter (Test, Other Dimensions in Music), trumpeter Demian Richardson, Italian drummer Federico Ughi, and bassist David Moss apply a vibe that is equal parts electric Miles Davis, Prime Time-era Ornette Coleman, and Sun Ra street jam band.

Ughi is also the label chief for 577 Records. His free jazz sessions always project an immense energy, and it's the same here for these 16 unkempt pieces. The band formed with the same purpose as Carter's street performance band Test, to bring music to the people. The disheveled nature of this outing attests to the band's authenticity. Ughi's drum kit is just as likely to pulse funk as jazz, or swing free over Richardson's wah-wah trumpet playing.

The untreated nature of this music is its triumph. Just as 1970s electric Miles indicated that jazz could rock, and the New York Downtown scene of the 1990s proved that jazz can also be hard-core music, Wake Up! targets undigested energy. Carter can zoom the spaceways or play with quiet passion, as he does on "The Courage to Be," where he dances the graceful pirouette with Richardson, twisting gentle lines. But mostly this disc is about an arousing energy, invigorating the soul, and shaking the blues of conformity. Thankfully, the music is not overproduced, just kept in its wild state.